45rpm @ jukeboxgraduate.com

a '57 Chevy running on melted-down Crystals records

a photo of everything in this year’s charity grab bag. every other year i have been broke, didn’t have enough cash, or didn’t get there in time.
the shirts are tiny but the books are awesome and she signed hers, there’s a piece of signed and limited edition art from michael stipe, and i’m going to frame the polaroid TODAY.
(for those who don’t know, patti’s been doing these for a few years now - $100 gets you a mystery grab bag of stuff. in the past it’s been things from her house and it’s a little more formal this year but I don’t mind and I think I made out like a bandit. the proceeds go to charities, including the Greenpoint Soup Kitchen and Occupy Wall Street!) View high resolution

a photo of everything in this year’s charity grab bag. every other year i have been broke, didn’t have enough cash, or didn’t get there in time.

the shirts are tiny but the books are awesome and she signed hers, there’s a piece of signed and limited edition art from michael stipe, and i’m going to frame the polaroid TODAY.

(for those who don’t know, patti’s been doing these for a few years now - $100 gets you a mystery grab bag of stuff. in the past it’s been things from her house and it’s a little more formal this year but I don’t mind and I think I made out like a bandit. the proceeds go to charities, including the Greenpoint Soup Kitchen and Occupy Wall Street!)

Patti giving someone her socks at OWS, which makes so much sense. She cares about socks and teeth, a lot. Some people bring her socks (not me).

Patti giving someone her socks at OWS, which makes so much sense. She cares about socks and teeth, a lot. Some people bring her socks (not me).

can never get enough of this photo. 1975-ish, it’s written up in Larry Sloman’s Rolling Thunder book.

can never get enough of this photo. 1975-ish, it’s written up in Larry Sloman’s Rolling Thunder book.

I’ve always wanted to write a song that everyone could love. That’s the one thing that I feel I haven’t achieved. Writing a song that when you hear it, everybody is happy. When we’re in Italy and we break into “Because The Night” and there are 20,000 people singing, it just brings me to tears. So I know that people must experience a certain amount of joy. When it comes down to it, I might write poetry for myself or poetry for the gods of poetry. But I write a song for the people.
— Patti Smith on “Because The Night” and songwriting and poetry and craft

(Source: americansongwriter.com)

A little “People Have The Power” into the countdown. Friends of mine have phones on Verizon, so they were throwing confetti about 90 seconds before Tony Shanahan starts the countdown (because the phone they were working off of was yet a different time) and of course the clock on the stage wall at the Bowery Ballroom is about 3 minutes SLOW. Onstage are Patti’s daughter, the members of the Dustbusters (they opened, Sam Shepard’s son is in the band) and in a few sweeping shots you can see Michael Stipe in the balcony (but only if you know where to look for him). And a lot of happy people throwing confetti, blowing noisemakers, drinking champagne and wearing silly hats.

I hope your New Year’s Eve was 1/4 as wonderful.

Patti Smith - Because the Night - 12-31-10 or rather it was already 1-1-11 when she was singing this.

No, that’s not the Travelocity gnome, that’s Michael Stipe bringing out a birthday cake for Patti Smith. (Patti says, ‘Look what I got for my birthday’ when she brings Michael to the mic.)  Also onstage, her daughter Jesse.  No, JMS did not perform, aside from whatever singing along he did up in the balcony during “People Have the Power” along with the rest of us.

Patti Lee’s 64th. And this was the second singing of “Happy Birthday,” she was greeted with it by the audience, unprompted, after Tony and Jack opened the show with “When I’m 64” on ukelele.

Delightful, delightful evening.

 cheer up sleepy jean.

The sash she’s wearing was a gift from Michael Stipe. And she shares her birthday with Mike Nesmith and Davy Jones.

Rock and Roll Hall of Fame 25th Anniversary, Night 2, 10/30/09.

There was this wave of faith and hope and exuberance that was a direct output of the wave of energy caused by the turn the tour took once it hit Giants. I didn’t own tickets to Philly; I had tickets to two Giants shows (instead of just a sensible one) just because of the usual JLM chicanery with when the last show would be, exactly. And then the albums were announced and suddenly we all had to be there and my apartment became a hotel and I was running off to Philly on a school night twice in one week like I was in college or something.

It was because of all of that that we took the leap and spent more money than we should have (but far far less than face) for these tickets in the 13th row on the floor for this night. It was extravagant, sure, a little crazy, definitely; in my mind it made up for us being too poor to even consider the cheapest ticket for the Darkness show at the Basie (we were so poor there was a discussion of pooling resources to buy one ticket so I could see it, and although I never would have agreed to such a thing, even that was beyond our means at the time).

Running around like a crazy woman meant I wasn’t reading the internet - and I don’t hang out in Bruce spaces anyway - and I had no idea that all of this was foretold weeks ago. You know what? I’m glad I didn’t know, that I didn’t have an inkling, that AT&T service was jammed so no one could tweet and spoil it for me, that I got to have THAT MOMENT of Bruce and Patti walking onstage together, the one I didn’t get to have because I wasn’t allowed to go see the Patti Smith Group at the Palladium on New Years’ Eve, when Bruce showed up for the encore.  (I have settled so many of these old scores recently.) It is very rare these days to have a moment where there is so much happiness concentrated in one millisecond that you don’t know how you can stand it, how you can be so lucky, how serendipity and good fortune have blessed you so. I shot video because I knew I couldn’t stop my hands from shaking.

Patti coming to the edge of the stage and waving at the audience, just like she does at her own shows, me waving like a crazy woman in the 10th row (Jake Clemons and Curtis were in those seats and went up to sit with Roy’s wife, so we knew we could take them). The performance being a little bit — okay, a LOT — of a trainwreck, everyone singing their own versions of a song they have made their own over the years. It didn’t matter, clams and bum notes and Patti looking sheepish (but with the biggest grin in the world on her face) and watching Edge and Bruce and Bruce and Bono and Bruce and Patti and Larry Mullen Jr. looking like it was Christmas day.

And then Bruce and U2. It was that thing that you want but never think you’re going to have, that there was no way I would ever be in the same place at the same time when that happened, it was a combination that was very much on the bucket list but in the “probably not going to happen” column. I could deconstruct the performance (and have already done that) and although I could have wished for so much more, what there was was enough.

(We would need that goodwill to carry us through once the Black Eyed Peas walked onto the stage. There is still a lot of anger in many quarters over that abomination.)

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